Diasporic Connections by Ellie Armon Azoulay

Sonic and visual explorations. Thoughts about music making, archives, photography, resistance and protest, community practice, and diasporic experiences and traditions.

Ellie Armon Azoulay is a cultural historian, curator and DJ. Her work is focused on archives of music and photography. She explores issues of diasporic communities, music collecting, and cultures of protest and resistance. 

She is a research fellow at Durham University where she works on a her new research project Sounds of Liberation: The Feminist Vernacular in Jamaican Folklore 1950-1980. She is also completing first book Reclaiming the Lore: African American Music Collectors, Refusal and Anti-Preservationist Possibilities. 


She is a resident at Slack’s Radio with her monthly show Diasporic Connections and a program committee member at Newbridge Project in Newcastle, curating her exhibition Resounding Diasporic Sonic Worlds. 

About (Page)

About

Ellie Armon Azoulay is a cultural historian, curator and DJ. Her work is focused on archives of music and photography. She explores issues of diasporic communities, and cultures of protest and resistance. 

She is a research fellow at Durham University where she works on a her new research project Sounds of Liberation: The Feminist Vernacular in Jamaican Folklore 1950-1980. She is also completing first book Reclaiming the Lore: African American Music Collectors, Refusal and Anti-Preservationist Possibilities. 


She is a resident at Slack’s Radio with her monthly show Diasporic Connections and a program committee member at Newbridge Project in Newcastle, curating her exhibition Resounding Diasporic Sonic Worlds.